![]() Contents Acknowledgments vii List of Illustrations viii Introduction 1 1 Reclaiming Raphael’s Workshop 4 2 Mechanics of a Visual Language: Imitation/Emulation/Repetition/Recombination 7 3 Recombination in Light of Competition and Collaboration 4 Revisiting Recombination within the Workshop 13 5 Continuing the Conversation 15 12 1 Origins of a Visual Language 20 1 The Prevalent Language of the Classical 20 2 The Visual Language of the Papacy 23 3 The Visual Language of Raphael 26 4 The Language of Recombination in the Stanza della Segnatura 31 2 Visual Language through the Lens of Competition at the Villa Farnesina 43 1 Commissions from Agostino Chigi 43 2 Raphael, Sebastiano, and Competition 50 3 Collaborative Practice and Emerging Workshop Mentalities 72 1 Partnering with Peruzzi 72 2 Raphael’s Workshop Takes Form 80 3 The Capstone of Chigi’s Villa 83 4 The Stanza dell’Incendio 88 5 The Vatican Loggie 95 6 Sala di Costantino 98 7 Beyond the Vatican 100 4 Giovanni da Udine, Perino del Vaga, and Polidoro da Caravaggio at the Palazzo Baldassini 105 1 Melchiorre Baldassini (1470–1522) 105 2 Sangallo’s Designs 108 3 Giovanni da Udine and the Quotation of Antiquity 110 4 Perino del Vaga, Polidoro da Caravaggio, and the Piano Nobile 114 vi contents 5 Giulio Romano, Gianfrancesco Penni, and Polidoro da Caravaggio at the Villa Lante al Gianicolo 128 1 Baldassarre Turini (1486–1543) 130 2 A Challenge of Attribution and Dating 131 3 Romano’s Designs 133 4 The Adjacent Sale 136 5 The Grand Salone 141 6 Polidoro da Caravaggio and Maturino da Firenze from the Frescoed Facade to the Fetti Chapel 152 1 Fra Mariano Fetti (d. This book is printed on acid-free paper and produced in a sustainable manner. Requests for re-use and/or translations must be addressed to Koninklijke Brill NV via or. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Koninklijke Brill NV incorporates the imprints Brill, Brill Hes & De Graaf, Brill Nijhoff, Brill Rodopi, Brill Sense, Hotei Publishing, mentis Verlag, Verlag Ferdinand Schöningh and Wilhelm Fink Verlag. Culotta LEIDEN | BOSTON The Library of Congress Cataloging-in-Publication Data is available online at LC record available at Typeface for the Latin, Greek, and Cyrillic scripts: “Brill”. Melion (Emory University) volume 46 The titles published in this series are listed at /bsai Tracing the Visual Language of Raphael’s Circle to 1527 By Alexis R. Otten (University of Chicago) volume 313 Brill’s Studies on Art, Art History, and Intellectual History General Editor Walter S. Mugnai (Scuola Normale Superiore, Pisa) – W. Israel (Institute for Advanced Study, Princeton) – A. ![]() Colish (Yale University, New Haven) – J.I. Celenza (Georgetown University, Washington DC) M. Tracing the Visual Language of Raphael’s Circle to 1527 Brill’s Studies in Intellectual History General Editor Han van Ruler (Erasmus University Rotterdam) Founded by Arjo Vanderjagt Editorial Board C.S. A Pastiche of Architecture Epilogue Bibliography Index Recommend Papers Santa Maria della Pace and a Pastiche by Peruzzi 1. Illusions of Landscape in the Fetti Chapel Chapter 7. Peruzzi, Polidoro, and Painted Illusion 4. A Challenge of Attribution and Dating 3. Romano, Penni, and Polidoro at the Villa Lante al Gianicolo 1. Perino del Vaga, Polidoro da Caravaggio, and the 'Piano Nobile' Chapter 5. Giovanni da Udine and the Quotation of Antiquity 4. Giovanni da Udine, Perino, and Polidoro da Caravaggio at the Palazzo Baldassini 1. Collaborative Practice and Emerging Workshop Mentalities 1. Raphael, Sebastiano, and Competition Chapter 3. Visual Language through the Lens of Competition at the Villa Farnesina 1. The Language of Recombination in the Stanza della Segnatura Chapter 2. The Prevalent Language of the Classical 2. Revisiting Recombination within the Workshop 5. Recombination in Light of Competition and Collaboration 4. ![]() ![]() Mechanics of a Visual Language: Imitation/Emulation/Repetition/Recombination 3. ![]() Table of contents : Acknowledgements Illustrations Introduction 1. ![]()
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